Finding Nature

Nature Connections 2026 will take place on 16^th July in Derby, bringing together researchers and practitioners interested in nature connection to share and discuss the latest research, ideas, and applications. To keep costs down we’ve returned to a single day. You can submit an abstract or book your place here.

Over a decade on from the first Nature Connections, the event has grown into something special, and for 2026 we look forward to welcoming you to a new venue, next (i’m promised) to a kingfisher highway, but still in the city and within easy reach of the railway station.

As ever, the day is made by those that attend and we invite submissions for ten-minute talks or poster presentations.  Submissions should outline a study, project or practice that focuses on nature connection – people’s sense of relationship with the more-than-human world. We welcome submissions from any sector, including academics, creatives, practitioners, and other professionals.

Deadline: 5^th March 2026

Hope to see you in July!

An alternative seasonal tale

Each winter, as the low sun casts its pale light across the sodden landscape, a remarkable phenomenon occurs on the side of our house. The gate latch and picket fencing cast a shadow that transforms into Gatezilla—an 8-bit silhouette reminiscent of the legendary Godzilla.

Like its namesake, Gatezilla is a creature of nature’s rhythms. Its appearance is dictated by the Earth’s tilt, the orbit around the Sun, and the geometry of my garden gate. It is a fleeting spectacle, just a few minutes long—an alignment so special I liken it to an eclipse.

The wonder of this annual event inspired me to attempt to predict the exact times when Gatezilla will stride across the wall each winter’s day. I measured the exact orientation of the fence (216° from North) and the latch geometry: 1 meter high and 1.35 meters from the wall. Combining these figures with the latitude and longitude I was tempted to use the 8-bit technology of my 1984 Oric Atmos—still desperate for a purpose—to calculate Gatezilla’s full seasonal window from just a single day’s observations. But I just asked Grok.

It turns out that the shadowy creature first stirs for All Hallows’ Eve in late October (13:26–13:41 GMT), peaks through November (between 13:15–13:30), shifts earlier in December (early: 13:10–13:25), and finally succumbs to the inexorable march of the season around the Winter solstice. A secret in the sunlight decoded.

Opportunities to capture a photo of Gatezilla were running out. As the sun reaches its solstice low, the defining rays are scattered and obscured by twigs and holly leaves of taller trees. A situation that reminded me of James Reason’s Swiss Cheese Model of systems failure as I crouched camera ready in hand. The clouds on the breeze and ever-shifting holes between the twigs illustrated how momentary alignments create pathways to failure, or in my case success.

Now that the solstice has ended the spectacle I can spend the Winter thinking of next steps for 2026. A makeshift henge, perhaps? Constructed from an old garden trampoline frame to celebrate Gatezilla’s arrival next October by carefully aligning its uprights with the sun’s paths. Or an app, a local alert system, #GatezillaRises, notifying enthusiasts when conditions are optimal: low winter sun, clear skies, and the right hour of the day. Much like chasing the Northern Lights, I feel sure that witnessing Gatezilla will become a seasonal ritual, a celebration of geometry, astronomy, and the magic of nature.

Above all, Gatezilla reminds us to seek magic in the mundane, proof that even in the quiet geometry of winter shadows, nature finds ways to surprise.

Postscript

A tradition of the Dull Men’s Club Facebook group is for the photograph to include a banana for scale. So, there was another race against time. After many gloomy days, the sun appeared, but clouds hurried across the sky. Gatezilla’s fleeting glory versus my blunt scissors and a roll of gaffa tape. I hacked at the tape but had been woefully ill-prepared. The banana was placed in position alongside a watery shadow of Gatezilla which soon dissolved. The picture did not do Gatezilla justice.

The Swiss Cheese theory came to life the next day when I was sat at my desk and glimpsed the discarded banana climbing my leg. It had somehow become gaffa-taped to my calf while I was rummaging in the office. It gave me a real fright—and then a bout of laughter at the absurdity of the situation. A textbook example circumstances aligning to create unexpected events.

Dr Carly Butler & Professor Miles Richardson  

Earlier this year, we introduced the idea of ‘heritage connection’ – an individual’s subjective sense of relationship with people, nature and place over time. With the support of University of Derby’s Vice-Chancellor’s Partnership Award, we’ve teamed up with the National Trust to dig deeper, asking: what is heritage connection is, why does it matter, and how can we help more people experience it?

Over the past year, we have been scoping the literature, listening to heritage professionals, and pilot-testing the first heritage connection intervention. We’re now excited to share a summary of this work in our latest report, Heritage Connection: Scoping and Sounding the Field. The report brings together key insights from published research, discussions with heritage professionals, and the results of our first heritage connection intervention. It also sets out an ambitious research agenda for advancing knowledge and supporting practice and policy.

Previous research has identified a link between heritage and wellbeing – living near or visiting heritage sites or taking part in heritage activities have been found to boost mood and bring meaning and purpose to people’s lives. As well as supporting individual wellbeing, heritage can bring people together, offering community cohesion and a sense of place.

But the power of heritage to make us feel good doesn’t come from historic buildings or ancient artefacts or landscapes themselves. Simply being in or near something historic isn’t what boosts our sense of wellbeing. Much like nature connection, it’s people’s psychological experience of a place that matters – how we think and feel about heritage is more important than physical contact with it. This is where heritage connection comes in. It’s a way to understand and measure our subjective relationship with the places, people, and things of the past.

Through roundtables and workshops with heritage professionals, we explored what heritage connection looks and feels like. It’s about personal, meaningful and emotional engagement with heritage that helps people situate themselves in relation to time, place and other people. It offers a deep sense of belonging and a feeling of being a part of something bigger.

While work in this area is just beginning, we already know that heritage connectedness (as measured by a simple scale) can predict wellbeing and is associated with a sense of pride in place. Heritage connection offers exciting possibilities for understanding why heritage matters and how it can benefit both people and places.

We wanted to find out if some simple activities could help people feel more connected to heritage. So, we designed a heritage connection trail in the grounds and walled gardens of the National Trust’s Calke Abbey. Visitors were given an illustrated booklet with map and prompts at 15 ‘pause points’. Each prompt invited them to notice, imagine and reflect on the heritage around them, and encouraged sensory, emotional, imaginary, and personally meaningful engagement. Participants completed a survey before and after the trail. We found a significant boost to heritage connectedness, as well as enhanced nature connectedness and happiness.

A heritage connection trail

In a focus group discussion, participants shared how personal and cultural backgrounds, like ancestry, class, ethnicity, nationality, and individual interests shaped opportunities to find connection with the heritage on the site. Important points were made about the hidden or unacknowledged heritage in many historic sites – which stories get told, and which ones don’t?

We are excited for the possibilities of this work. Our research agenda sets out ambitious next steps, developing understanding, frameworks and tools to strengthen heritage connection, embed it in policy and practice, and tackle barriers to inclusive engagement.

Relational approaches are essential for wellbeing and sustainability. We know about the importance of relationships with nature and other people – this work highlights the temporal dimension of connectedness. Heritage connection helps us see ourselves in relation to past people, places and events, creating a sense of continuity between past, present and future. That sense of connectedness offers meaning and purpose – linking us to bigger stories that shape who we are today and who we might become.

If you want to dive deeper, check out the report and share your reflections by commenting on this blog. We’d love to hear from you. What places or stories make you feel part of a bigger story?

Nature connectedness is increasingly recognised globally as a strategy for transformative change. At the University of Derby’s Nature Connectedness Research Group, we’re exploring how professionals across sectors—from health and education to urban design and the arts—are helping people build deeper relationships with nature. Your insights can help shape policy and practice aligned with these global priorities.

Whether you’re designing green cities, creating nature-inspired art, improving wellbeing through outdoor experiences, or shaping policy for sustainable farming—your work is part of a growing ecosystem of change.

To take part click here by 30^th January 2026 – full details below.

Our research aims to understand and highlight work that connects people with the rest of nature: current practices, barriers and opportunities, collaborations, and visions for a more deeply nature-connected society. We want to learn what’s already happening—and what’s possible—when we reconnect with the rest of nature.

Help us map the nature connection ecosystem. Share this invitation with colleagues and networks—the more voices we hear, the stronger the movement for transformative change.

Who can take part?
If you’re working on initiatives that help people build a closer relationship with the natural world, we’d love to hear from you. Whether you’re in policy, practice, research, or community action – your insights matter.

We would like to hear from anybody whose professional work involves connecting people with the rest of Nature, particularly where the emphasis is on enhancing people’s relationship with nature (i.e. more than just spending more time in Nature). You may work in policy, professional practice, or in applied research and impact. We are interested in hearing from those working in any sector (education, health, policy, conservation, urban design, farming, the arts, academia, community support and more), and at any scale, from individual to international.

What will participation involve?
If you choose to take part, you will be asked to complete an online survey. The survey includes a mix of ‘tick box’ and open-ended questions and should take approximately 15–20 minutes to complete. If you choose to write a lot in the open-ended questions, it may take longer but we do not expect it would take longer than 30 minutes. You will be asked about your organisation’s purpose and scale, current activities and impact, barriers and opportunities, sectoral collaboration, personal and cultural Nature connection, vision and inspiration

To take part click here by 30^th January 2026.

We’d like as many responses as possible from far and wide, so please share this invitation widely with colleagues, networks, and partners. The more perspectives we gather, the better we can understand the full nature connection ecosystem and the amazing work happening across sectors.

Nature connectedness is not just a local challenge—it’s a global priority. By contributing your insights, you’ll help build a clearer picture of how we can reconnect people and nature for a healthier, fairer, and more sustainable world. Together, we can turn transformative change from a report into reality.

The Tune into Nature Music Prize is back for 2026. With a first prize of £500, the prize aims to encourage submissions of original music from young musicians aged 18 to 30 that celebrate the human-nature relationship and showcase the inclusion of sounds of the natural world.

You can find out all you need to know about the prize, new partners, opportunities for winners and judges on the new website: https://www.tuneintonaturemusicprize.info/

Last year’s joint winners were 23-year-old Josephine Illingworth, whose track titled ‘Dawn’ was made from sounds collected from mountain huts across the Dolomites, while the lyrics were taken from entries in the guestbooks from visitors.

The second winning track, Nightingale by Wildforms, aka Dan Cippico, turned bird song into a drum and bass track. The winners were featured on BBC Radio and in The Guardian.

Nine other artists were shortlisted for the Prize, including a range of genres from Hip Hop, Rock and Pop to Jazz, Folk and Classical, showing the universal appeal and relevance of nature as a source of inspiration and connection. Here’s a playlist of their and the winners’ tracks.

The 2026 winner will have the option of their track being released on NATURE’s profile across major streaming platforms as part of the Sounds Right initiative, benefiting from significant promotion and marketing, and featured on a special playlist to raise funds for nature restoration and protection.

From Louis Armstrong to Louis VI, a Tune into Nature play list on Spotify provides inspiration, with lyrics and sounds that celebrate the natural world. The playlist also include previous winners Ceitidh Mac, Girl Next Door  and Caslean.

Alongside the University of Derby’s Nature Connectedness Research Group, the competition is backed by a collaboration of recognised environmental-loving organisations including Yorkshire Sculpture Park, Voice for Nature, EarthPercent and Sounds Right.